Ana Maria Millan
Credit: private
The work of Ana María Millán addresses the politics of animation and its technics in general in relation to digital cultures and subcultures, magic, violence, and propaganda.
Ana María Millán has developed strategies based on role-playing and reenactment as a methodology to create a series of open-ended scripts that result in narrative films and video games. Her work deals with amateur cultures, pop politics, sound territories, nature, and technology, incorporating the possibilities and mistakes of the rehearsals and narrative forms considered dysfunctional.
Her work has been exhibited at VIDEONALE.20 Kunstmuseum Bonn, 2025; And we learn to keep the soil wet CARA, NY, 2023; 13th Gwangju Biennale. Minds Rising Spirits Tuning 2021; Art Encounters Biennial, Timișoara, Romania 2019; Ana María Millán a solo exhibition, Kunstinstituut Melly (solo), Rotterdam; El ruido de las cosas al caer, FRAC Provence Alpes Côte d'Azur, Marseille 2017; Immortality for all, Savvy Contemporary, Berlin 2016; Frío en Colombia, Luis Caballero prize (solo), Archivo General de la Nación, Bogotá 2015; Ir para Volver, 12 Bienal de Cuenca, Cuenca 2014; ¿Tierra de Nadie?, Centro Cultural Montehermoso, Vitoria-Gasteiz 2011; AUTO-KINO! presented by Phil Collins, Temporäre Kunsthalle, Berlin 2009; Historias Colaterales, Centro Cultural de España, Guatemala 2008; I Still Believe in Miracles - part I and II, Musée d’Art Moderne de la Ville de Paris 2005.